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Maximum Cameras: 255 total cameras (28 cameras (4 groups of 7 channels) plus a group with up to 227 cameras) Did you know that PTZOptics cameras can live stream directly to content delivery networks such as Facebook and YouTube? This is an easy and affordable way to start live streaming with your PTZOptics cameras*. PTZOptics cameras support Full HD streaming with the industry standard called RTMP (Real Time Messaging Protocol). In fact, PTZOptics cameras also support RTMPS, the new secure streaming protocol now used by streaming services.
The zoom isn’t as long as some cameras here, and Sony’s digital system –‘Clear Image Zoom Technology’– extends it, without abandoning quality, to 24x in HD or 18x in 4K. On the plus side, the camera is good in low light and has a menu-switchable ND filter. The SRG-300H is an excellent camera with one of Sony’s EXMOR sensors, operable in light down to 1.4 LUX (f/1.6). This offers a wide dynamic range and, paired with Sony’s XDNR digital noise reduction and 30x optical zoom, produces great streaming-friendly video. With robust warranties included standard on every product, you can trust PTZOptics solutions to deliver high performance from day one, and for many years to follow. When you reach out to PTZOptics for support, you won’t get an automated system — you’ll get a team of in-house, US-based experts ready to help. Connect with us via:Our plug-and-play USB 3.0 camera models are built with ease of use and compatibility in mind, featuring game-changing optics and video communication installation options. From integrated PTZ camera controls inside Ableton (and other DAW software) to MIDI camera control, PTZOptics has worked with our customers to build the integrations that work for House of Worship. Keys Vineyard Community Church’s live streaming and video production setup takes advantage of Ableton’s touch screen control software called TouchOSC, which allows media coordinator Doug Lawes to automate the entire church video production system.
Before purchasing, choose the correct lens magnification for your project. Use our optical zoom calculator here Control Protocols: VISCA over IP (PTZOptics & Sony) or Serial Control (RS232, RS485, Pelco-D, & Pelco-P)
The low-noise 1 / 2.8-inch CMOS sensor has 20x optical zoom. This makes for great images as with two megapixels there are no superfluous pixels (though the 10x digital zoom extension is best avoided). Control is via industry-standard systems and there is a good movement range (120˚ tilt, 340˚ pan). If you don’t opt for one of Datavideo – or compatible –control systems, there's also an IR remote in the box, as well as the ceiling mounts and UV filter. Easily add camera angles to your video production with our flexible SDI, PoE and NDI ® enabled ZCams. (Note: Do not power the camera via PoE & the power supply simultaneously.) The ZCAMs have an issue with utilizing PoE and the SDI connection simultaneously. They must be powered with a PoE splitter when utilizing PoE and SDI at the same time.
Our SDI line includes some of the most popular camera models we’ve ever made. With game-changing optics and high-quality video outputs, video professionals can create innovative custom systems to uniquely suit their needs. If you want a camera with a full range of connectivity and remote control options, including iOS and Android apps, the PTZ Optics SDI series (also available with 20x and 30x lenses) is the ideal choice. Use with IP connected PTZOptics cameras after firmware upgrade or when required for focus recalibration. Perfect for a conference room of about 20 people, or perhaps a classroom, the Logitech PTZ Pro 2 Video Conference camera plugs into your computer’s USB (Mac or Windows) via the generous 10-foot (3m) cable and provides a more flexible and (probably) better quality alternative than the system camera you’re used to.
Take control of your PTZOptics cameras with our Open Broadcaster Plugin. The new plugin includes advanced features for pan, tilt and zoom control of your PTZOptics camera directly inside OBS! In terms of operation, the app is not only easy to use and connect to standard streaming platforms (Facebook, Youtube, and RTMP), but offers extensive picture adjustments – either preset or manual. A paid subscription will allow you to stream to multiple platforms at once, and add live graphics. You can now copy the stream URL and the stream key into the RTMP streaming box on your PTZOptics camera in the Network Tab. This is done by entering the server and then entering a forward slash, followed by the stream key. Step 2 – Find a level location and tape the calibration sheet to the wall 1 meter from the camera lens. If you’re a vlogger who has invested in a good quality phone, but doesn’t quite have the budget for a production assistant or camera operator, the Obsbot Me is the solution; it turns your phone into a camera which can follow you. OK, not strictly meeting the tilt and zoom criteria (though there is always post-production), but this is still a very handy tool for to-camera shots.
Sure, UHD (4K) adds a bit to the price compared to the, but the low-light quality the large (1/1.8-inch) Sony sensor achieves and the very long zoom range makes this a sensible choice. Studios will appreciate that all the desirable connectivity, as well as tally lights, are there too. PT12X-ZCAM,PT20X-ZCAM,PT12X-SDI-xx-G2, PT20X-SDI-xx-G2,PT30X-SDI-xx-G2, PT12X-USB-xx-G2, PT20X-USB-xx-G2, (NDI Models also supported) Adam is our resident expert on all aspects of camera drones and drone photography, from buying guides on the best choices for aerial photographers of all ability levels to the latest rules and regulations on piloting drones. It does have a few, so long as the above requirements are first met. An ePTZ camera has the ‘magical’ ability to move instantaneously to a new shot (via a called preset or a direct PTZ position command). This can be very useful for some applications. There is absolutely no wait for framing the new shot. With a true PTZ camera, you will have to wait for the mechanical motors to move to the new P, T and Z positions. However, the disadvantage of this is that with most (if not all) modern ePTZ cameras, you simply cannot produce a panning, tilting or zooming sequence without physically moving the camera through space. As ePTZ technology develops, we will likely see ePTZ panning tilting and zooming sequences become available to better emulate the capabilities of a true PTZ camera.This onboard streaming encoder can encode two data streams to the cloud at once (though you need to drop down to 30fps). In addition, you have SDI and HDMI out, so you can operate in pretty much any creative environment, taking audio via the 3.5mm stereo line input if needed for convenient encoding. H.264 and H.265 with AAC, MP3 or PCM audio are all on offer, from 16KHz to 48KHz. The wide-angle field of view (74.1˚ horizontal at the wide end) means smaller venues aren’t an issue, and there's a variety of control systems. Its near-silent motor system genuinely impresses with its subtlety. And the dark UI makes operating the camera from the web interface without distraction practical. x 1080 @ 60 fps); Medium (1920 x 1080 @ 30 fps); Low (1280 x 720 @ 60 fps); Low Bandwidth (640 x 360 @ 30 fps) Dynamic range benefits from the Sony low-light friendly 2-megapixel image sensor (the benefits of higher resolutions aren’t always clear when zoom is used), while sound quality is an option in part left to you thanks to the ability to daisy chain speakerphones.
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